Waves wash ashore different objects, which gradually become associated with Roman Polanski's "Two Men and a Wardrobe".

Turn right, go straight, turn left. A collage of photos of road signs, immortalized on Polaroid in the United States in the early 1990s. A game of ludo with photos and an example of unpretentious visual archeology. Where did the arrows lead? Could these places still exist?

Turn right, go straight, turn left. A collage of photos of road signs, immortalized on Polaroid in the United States in the early 1990s. A game of ludo with photos and an example of unpretentious visual archeology. Where did the arrows lead? Could these places still exist?

Turn right, go straight, turn left. A collage of photos of road signs, immortalized on Polaroid in the United States in the early 1990s. A game of ludo with photos and an example of unpretentious visual archeology. Where did the arrows lead? Could these places still exist?

Turn right, go straight, turn left. A collage of photos of road signs, immortalized on Polaroid in the United States in the early 1990s. A game of ludo with photos and an example of unpretentious visual archeology. Where did the arrows lead? Could these places still exist?

Turn right, go straight, turn left. A collage of photos of road signs, immortalized on Polaroid in the United States in the early 1990s. A game of ludo with photos and an example of unpretentious visual archeology. Where did the arrows lead? Could these places still exist?

The film documents the performances and history of The American Magic-Lantern Theater, a troupe that recreates the 19th century spectacles of magic lantern shows - he live projected productions that preceded cinema over 100 years ago. AMLT, based in Connecticut, consists of two people, usually Terry Borton, founder and showman, and lead singer Nancy Stewart. The company has been performing for 20 years, is the only professional magic-lantern theater in the US, and is one of the only three existing in the world.

An animated essay on the color blue in 20th century art inspired by, among others, Eadweard Muybridge, Wassily Kandinsky, and Kazimir Malevich.

In 1924, Henryk Berlewi, avant-garde artist affiliated with the constructivist group “Blok”, published his theory of “mechanofaktura” – innovative image-building solution based on the replacement of varied canvas texture with two-dimensional visual equivalents such as the rhythm of lines and planes, schematic combination of geometrical forms, and colour range reduced to black, red and white. By mechanising the means of expression Berlewi sought to arrive at the effect of texture variation without departing from the inherent two-dimensionality of painting. The movement generated by adding rhythm to the image was described by Berlewi as if he was describing a film, which prompted Marcin Giżycki to create this moving image reconstruction.

In 1924, Henryk Berlewi, avant-garde artist affiliated with the constructivist group “Blok”, published his theory of “mechanofaktura” – innovative image-building solution based on the replacement of varied canvas texture with two-dimensional visual equivalents such as the rhythm of lines and planes, schematic combination of geometrical forms, and colour range reduced to black, red and white. By mechanising the means of expression Berlewi sought to arrive at the effect of texture variation without departing from the inherent two-dimensionality of painting. The movement generated by adding rhythm to the image was described by Berlewi as if he was describing a film, which prompted Marcin Giżycki to create this moving image reconstruction.