Present day. Chile. Legendary bank robber Vergara Grey is getting out of prison after 5 long years and is looking forward to a quiet, uneventful life together with his wife and son whom oddly he hasn't heard from in years. But soon his resolve is tested when he meets 19 year old Angel a young thief who insists the two join up to score the biggest heist of all time. Though tempted, he resists until he finds out that his beloved wife has gone off with a millionaire and his son wants to change his last name. Then Victoria, a graceful and mysteriously mute dancer living in a conservatory, steps into the picture. She captivates Vergara and Angel, as well as all others that cross her path, drastically changing their lives.

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

A series of poems.

Dedicated to Dieter Meier. voice-over by Gregory Markopoulos, reading an excerpt in English translation of Paul Valéry’s L’Homme et la nuit (Man and the Night).

Márcia Haydée is a Brazilian dancer of worldwide consecration, known as the "Callas of dance", for her great interpretive power. In her career, she performed at the Ballet of the Marquis de Cuevas (FRA), but it was at the Stuttgart Ballet in Germany under the direction of John Cranko, who in the early 1960s she became the choreographer's muse and was revealed as a great performer and dancer. In the 1970s, after Cranko's death, Márcia took over the management of the company and stayed ahead for 20 years. She worked alongside big names such as Richard Cragun, Rudolf Nureyev, Jorge Donn, Maurice Bejárt, John Neumeier.

"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.

William Shakespeare's tragedy about the feuding Montagues and Capulets, whose children find each other and overcome the deep-seated hatred, has inspired countless artists. John Cranko also took up this timeless material in 1962 and created one of his most popular ballets. Sergei Prokofiev's descriptive music - in combination with Jürgen Rose's opulent sets and costumes – forms the perfect back drop which allows the scenes to unfold just as if they had sprung directly from an Italian Renaissance painting.

Based on Alexander Pushkin’s dramatic verse novel "Eugen Onegin", the ballet tells the tragic love story of the world-weary aristocrat Onegin and the naïve country girl Tatiana. John Cranko’s Onegin holds a special place in the choreographic repertoire of the second half of the 20th century as one of the few original full-length ballets.

The gifted, charismatic artist John Cranko moves to the Swabian province from London, where he is attacked for his homosexuality, and after many crises becomes the great sensation as the new pop star of the arts: the Stuttgart Ballet Miracle.