Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.

In the favela, two drug dealers decide to meet to settle scores.

The film is set in Morro do Vidigal, one of the most famous favelas in Rio de Janeiro. Rita needs to give her son Léo a party that means a lot to her. But on the day of the party, she discovers that all the money for the event, which she had been saving for months, was stolen by Dudu. From this disappointment, Rita, who works at the beach, needs to race against time to make Léo's party possible and save Dudu's life. To do this, she will need the help of her friends.

A coming of age story about a boy in RIo de Janeiro, Brazil who, after his father's death, finds out about his family and where he came from.

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

Five undercover cops at Complexo do Alemão, one of Rio de Janeiro's most dangerous areas, have their covers blown by drug dealers. Arrested, they wait execution or to be rescued by police forces that would risk expose a larger operation.

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

Selminha is a lower-class woman who receives a family inheritance, but only if she meets the challenge of spending 30 million reais in 30 days, without accumulating anything. However, in this marathon, she will find out that there are things that money does not buy.

Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.