Marcel Hanoun, one of the most innovative of filmmakers, gives us what he names "a lesson in cinema." Frederique Devaux and Michel Amarger filmed this piece at his country house, composing an abundantly rich portrait. Film clips and sparks of theoretic bravura testify to the feverish creativity and the drunken agitation behind which lurks the ever-composed voice of the filmmaker.

A cello player is asked by her daughter why she suddenly interrupted her musical career… The voices and images of the two women intertwined with the author’s give way to thought, vision. Confessions of lives dedicated to creating.

On a Mediterranean cruise, a young man hired as a tour guide is intrigued by the beauty of a female interpreter hiding behind her sunglasses. He makes advances to her by venturing into a series of strange stories.

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

Two New York women, Kristin and Doreen, live a black and white life, but in color of Gene Tierney, a star of 40’ Hollywood melodrama, while listening to the old songs of Marilyn Monroe. They go from one extreme to the other (from dream to reality, from day to night, from black and white to color), and so travel symbolically through this timelessness. Kristin disappears and Doreen is lost is the big city. Her meetings with Marcel, a filmmaker, then David, a sculptor, accomplish nothing, and she is destroyed by daylight. But her Memory of Gene Tierney triumphs over night and death, and Cinema can continue.

Film produced as part of the Festival Pocket Films Forum Images.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.