The moon shines, a young couple plays in the forest. Their game leads them to an unfamiliar garden, in the middle of a clearing. Unaware of danger, the young lovers enter the maze of a garden at midnight. Little by little, they are submerged by a intoxicating spell. They lose themselves in the strange labyrinth. Will they manage to break the spell that keeps them prisoner?

Whilst their game of tennis first looked as boring as usual, Pierrick and Alexis, two 30-year-old men who you wouldn’t call athletes, suddenly find themselves incredibly gifted players.

Paris, Boris and Alexis are trying to give a meaning to their idleness. In the countryside, Pierre is achieving his opera, which is a new take on the myth of Orpheus, while trying to forget Adelia, who just dumped him.

As the title suggests, Père et fille tells the story of a father growing up alone with his daughter after the premature death of the mother. If the premise is sad, director Quentin Papapietro manages to build a comedy in which the feeling of heartwarming fatherly love is staged with intelligence, and a great sense of cinema. With humour and a hint of absurdity, Père et fille offers a new way to consider family films.