A journey at high altitude seen through the eyes of three mysteriously connected hikers. After their coincidental meeting we follow these three on their personal odysseys. The levels of concentration they exhibit in trying to avoid mistakes makes their experience of the overwhelming landscape even more intense.

An obsessive collector (Erik Fens) creates his own scrapbook world. The film presents analyses of the collecting impulse based on Freudian theorie and Buddhism.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

An endless void stretches out behind the windows of a large room. Only windows, no doors. It’s empty except for five people sitting at a table that seats six. Their withered bodies adorned with lush fabrics and jewelry, they spend eternity playing with their food. A charged silence fills the air. Any violation of the strict social rules is immediately suppressed by the others. When the fragile equilibrium in the group is finally broken by the boy’s constant pestering, things start spiraling out of control. His mother tries her best to protect both him and herself from the consequences but playing this double role comes at a high price.

About 10 years ago, filmmaker Ton van Zantvoort got to know Stijn, an idealist with a cheerful, relaxed nature. Stijn is one of the last remaining Dutch shepherds working in the traditional way. We see the shepherd, his sheep and his three loyal dogs crisscrossing nature reserves and farmlands so the herd can graze the land in an eco-friendly way. But nowadays, little remains of the romance and peace that we associate with the centuries-old tradition of sheepherding. Tenders are increasingly hard to acquire—competition from big companies, cheap East European shepherds and smart machinery make Stijn the expensive choice.

Man is a cubical shaped figure who rectifies all bumps and humps in order to keep his desolate world flat. His confrontation with a little red ball, that loves to create gigantic holes, messes up his ideal of a perfect straight world.

A young boy pursues his dream of being a pilot and becomes instrumental to a nation's nightmare.

A football hooligan feels unconditional love for his club. However, being gay, he has to hide his identity in order to survive in this world that is so precious to him.

Worlds collide in more ways than one in this stunning collection. Confidence is violated, classes clash and desire is concealed, yet love still triumphs regardless of the consequences. Boys On Film 14: Worlds Collide features nine new, powerful, and dramatic short films: Lee Haven Jones's "Want It" starring Jamie Cutler and Alan Turkington; Sophy Holland and Alicya Eyo's "Brace" starring Jake Graf and Harry Rundle; Mauro Mueller's "A World For Raúl" starring Alexandré Barceló and Adrián Alonso; Dennis Shinners's "Barrio Boy" starring Dennis Garcia and Dan Leonard; Darwin Serink's "Aban + Khorshid" starring Mojean Aria and Bobby Naderi; Jan-Dirk Bouw's "I ♥ Hooligans"; Christopher Bradley's "The Violation" starring Slade Pearce, Elaine Hendrix, and Shayne Topp; Rafael Aidar's "The Package" starring Jefferson Brito and Victor Monteiro; and Søren Green's "An Afternoon" starring Ulrik Windfeldt-Schmidt and Jacob Ottensten.

In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.