Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.

A New York City street artist witnesses a crime and resolves to redeem his earlier inaction. A silent film in pantomime, this early work by director Charles Lane brings a unique deftness and grace to its social realist narrative. He would later revisit this theme in his next film Sidewalk Stories (1989).

After 15 years in prison, for committing a murder to save his father’s honour, Modan returns to his village in Punjab. In his absence, the village’s power structure has shifted towards a landowner, to the detriment of his family. Worse still: his brother is the landowner’s lapdog.

Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, GOOD FUNK follows three generations of citizens whose lives intersect through acts of kindness both big and small.

In order to escape from the mob, an African-American man must disguise himself as a white man.

Meera is beautiful, pregnant and in search of some spice in her life. Mohit is young, idle, and lives next door with Devki, his abusive mother. Meera has a boring and absent husband. But wait to see what the guy is hiding. Her aunty Dunga is old and hopes to become immortal, her other half has a secret in his shop nobody knows about, except his young grandchild who is smarter than it seems. They all live in a dilapidated building called Amar Colony.

When an American plane crashes in the Cambodian jungle, the pilot is taken captive by the Khmer Rouge. They instruct the kids of a village to keep an eye on the prisoner. While the younger kids gradually become friends with the stranger, the older boy called Pang has a different attitude. Since he grew up without parents, he accepted the Khmer rouge as his replacement parents and endears himself to them by betraying villagers. When Pang becomes responsible for watching the prisoner, things become worse for the pilot.

If you would like to witness the forces of colonialism in brute action, Rithy Panh’s extraordinary new film provides the long view. A masterpiece of editing, the film assembles archival footage and antiqued title cards into a wordless recapturing of the Indochinese Empire, beginning with the early days of French occupation. In this prelapsarian age, everything is golden with promise. Ladies, in empire waist gowns and enormous hats, throw candies to local children. Great steamships carry French culture abroad, and the Tricolore flag flies on high.

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.