The supposed discovery of the last reel of a long-lost film makes it possible to see this film... or chaos.

The film opens with Audry Gutiérrez Alea, Titón's daughter, using a banana as a dildo. The short is part of a double experiment of which only half was filmed. Marzel wrote two scripts: an original and its parody, but only wanted to make the latter. Therefore, we are witnessing a reference without a reference, which involves the most absurd series of dialogues and monologues of which the national cinema has memory.

The film opens with Audry Gutiérrez Alea, Titón's daughter, using a banana as a dildo. The short is part of a double experiment of which only half was filmed. Marzel wrote two scripts: an original and its parody, but only wanted to make the latter. Therefore, we are witnessing a reference without a reference, which involves the most absurd series of dialogues and monologues of which the national cinema has memory.

A woman's journey on an imaginary motorcycle and her encounter with a necklace collector.

A woman's journey on an imaginary motorcycle and her encounter with a necklace collector.

Real images and superimposed drawings create a synthesis full of vibrant suggestions about the absurd, complex, and beautiful aspects of our planet.

Real images and superimposed drawings create a synthesis full of vibrant suggestions about the absurd, complex, and beautiful aspects of our planet.

A Sunday afternoon in the neighbourhood: apparently nothing happens. In this stillness, humorous observations unfold, in which the trivial becomes poetic, turning the absence of events into the film’s central narrative material.