Dujone has the college-going Meghna (Srabanti) and Akash (Dev) falling for each other. But with Meghna's dad being in the fish business as opposed to Dev's industrialist dad, objections are an obvious progression. Things get murkier and gory what with Akash's dad keeping him caged in Siliguri and Meghna's against-romance pishi (Seema) keeping a hawk's eye on her every move. And just when you thought you've seen the best of De's muscle flexing and Srabanti's desperation to meet Akash, in comes a contract killer (Arijit) employed by Akash's dad to finish off Meghna. As all action stories should end, Dujone too reaches a fitting finale with Meghna-Akash's love triumphing over all odds.

Nimki and Phulki are two mischievous sisters- one tomboyish and the other docile. Their mischief has terrorized the people of Nakulpur village. But their intentions are noble. Their courage helps them to fight against all the wrong done to the villagers. Two wealthy old men in the village, who were cheating the villagers of their belongings, were also their target. These men come to complain against Nimki Phulki to their parents but ends up liking the sisters and proposes to marry them. Overwhelmed by this proposal, their parents agree immediately, thinking that their daughters would be well off with these men despite their age gap. Following futile protests, the sisters eventually succumb to this marriage proposal. But on the day of the wedding, they both run away from the village in their wedding attire. A chain of events follow and they land up in Kolkata. Nimki Phulki go through a makeover and take up jobs to survive in the city.

A young man's quest for the love of his new neighbor is doomed.

Cholai is a black comedy based on the 2011 hooch fatalities in Bengal, India. Country liquor, commonly known as 'Cholai' is a flourishing business in rural Bengal It is cheap and highly addictive. A sudden turn of events is triggered when a batch of Cholai gets toxic during the brewing process. Soon people who had consumed the Cholai start falling ill and the death toll rises to 172. Media turns the incident into a political drama. To pacify the outrage, the Government launches compensation for the family members of the victims. A gold-rush ensues following the announcement, everyone wants their share. Deaths due to other causes could be become 'entitled' for compensation if the right palms are greased with their share. The mourning soon transforms into greed and corruption.

'Chatak' is all about a sperm donor's life. An ambitious woman marries a corporate officer, and is economically very happy and satisfied. But, soon she strongly desires to have a child in her life. But the couple’s life turns upside down when they find out that the husband can’t have a baby because of less sperm count. The woman somehow manages to make her husband half inclined and takes the help of sperm donation, and gets her own baby.

A car mechanic, Aditya, falls in love with hot Sweety, a spoiled child. Although they want to get married, Sweety's rich father is against their relationship.

Shuvo is content being single, even though his father wants him to marry. When his friend tells him about a girl and her father who are cheating naive men, he decides to teach them a lesson.

In a family that's equal parts strict and strange, a young man is allowed to make up to a hundred mistakes. Once he reaches that magic number, he will be disowned. The story begins when he is on the verge of making his hundredth mistake.

The film is about Khokababu (Dev) who is a cool and a clever guy. Bhaiji is a well-known don in his territory whom everybody fears and obeys. Khoka joins Bhaiji's circle as an accountant where he has a wacky senior Khanra Babu. Khoka with his super wit starts to obtain every luxury that a perfect office should have and starts to hoax Bhaiji. Problems occur when Khoka falls in love with Bhaiji's sister Pooja (Subhasree Ganguly). That's how our super-clever Chalu Cheez Khokababu takes the story ahead.

Marital strife follows when an aging filmmaker meets an actress who bears an uncanny resemblance to his wife in her younger days.