An uproarious human-interest comedy about the love between a father and daughter of a good-natured sandwich man, set against the backdrop of the glamorous Ginza district!

A handsome and pure-hearted employee who thought he was single actually has a secret child. His girlfriend, a beautiful secretary, and the high-maintenance female manager suddenly panic, and the whole company is in an uproar.

In the closing days of WWII, a Japanese soldier afflicted with tuberculosis is abandoned by his company and left to wander the Philippine island of Leyte.

The film depicts the scarring of Yosaburo at the hands of yakuza thugs who catch him with mistress of the gang boss. Despite the physical and emotional scars he now carries with him, Yosaburo falls for a young noblewoman. The rest of the film follows the two as they fend off attacks from gangs and the police.

The salaryman is the object of admiration in the world. Because there is no more carefree job than this, this cheerful song comedy is set to the hit melody of the Hajime Hana and the Crazy Cats.

1962 Japanese movie

After the boxing champion retires, the head of a powerful gym, Minegishi (So Yamamura), recommends Yamanaka (Hiroshi Kawaguchi), who is no longer in top form and is ranked number one, for a title fight, but his comrade Hata (Kojiro Hongo) is not happy with this choice, and so he moves to the gym run by the criminal businessman Goda (Toru Abe) and burning desire to beat Yamanaka.

On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.