During a dark time in the Heian period, when evil forces threaten the kingdom, the emperor relies on the onmyōji to keep the supernatural forces in line. But as political events become highly charged, friction within the order leads to betrayal. Now, Seimei, a talented member of the clan, must face down his master, Dōson, in the hopes of restoring peace to the kingdom.

A group of demons in the ancient Japanese capital of Heian is dismembering members of a family of Japanese nobles.

In 1924 Yuri killed 57 people as a spy before going underground as the madam of a small brothel. There, she encounters an orphan whose family was murdered and holds the key to finding a large sum of money reported missing by the Imperial Japanese Army. But with an army of soldiers after them, they must fight to survive.

In the year 1590, the mighty warlord Toyotomi Hideyoshi is close to fulfilling his ambition of unifying all of Japan under his banner when he comes across unexpected resistance in the form of a floating fortress known as Oshi Castle. Narita Nagachika, a frivolous hedonistic fellow and unlikely candidate for the position of rebel general, finds himself in charge of defending the castle. His odds? An army of 500 men to combat Toyotomi Hideyoshi's army of 20,000.

Kyogen performer Nomura Mansai's speciality, Sanbaso, is said to be the oldest form of Shinto ritual in Japan's performing arts. On the occasion of his 50th birthday, Mansai took up the challenge of fusing tradition and technology with the help of media artist Daito Manabe and others to see how he could delve deeper into this "Sanbaso" and see if a new form of expression was possible. The programme will take up the challenge of fusing tradition and technology. The programme follows the trajectory of the project and explores the roots of what "Sanbaso" is all about.

The programme closely follows the birth of a new 'Macbeth' and his journey around Shakespeare. Kyogen actor Nomura Mansai and Shakespeare, and the similarities between them, are explained in an easy-to-understand way, and we come into contact with the art created by the two talents who have fused together over a long period of time.

Kyogen performers Mansaku Nomura, Mansai and Yuki, three generations of father and son! Kyogen is a human comedy! What is the goal of the father and son Kyogen performers who live in the traditional arts?

Kyogen performer Mansai Nomura is taking on the challenge of various attempts to convey the appeal of Kyogen, a traditional art form with a 600-year history, to the modern age. While carrying the weight of the Nomura family's legacy, which was spun out by his father Mansaku, a living national treasure, and others, he has been lightly expanding his field of activity to appear in films and dramas and stage productions. These various activities are nothing other than the path of Mansai Nomura, a kyogen performer who conveys the appeal of kyogen with its profound expressive power to the present day. Through the figure of Mansai, who is always creating new challenges, this programme introduces the appeal of the "traditional Japanese performing arts" in the "present".

Kyogen actor Nomura Mansai's eldest son, Yuki (3 years old at the time), was chosen to play the role of a child monkey in the kyogen play Utsubo Saru, and together with Mansai's father, Mansaku, the three generations of the family made their first appearance on the stage. The first half of the programme is a documentary following Yuki as he trains for the traditional performance, and his father and grandfather as they strictly instruct him.