As the lights flicker on a warm August night, amidst vacant Athens' stillness, a modern bohemian flirts with a woman he just met at a phone booth, while strolling around the city's quiet night streets.

Andreas, a 45-year-old widower and architect, tells the coroner of events leading to his young daughter's death.

Panos, a city doctor, relocates to a remote Greek village to offer his services to the underserved community. It's love at first sight when he sees Danae, who lives in isolation and with a mysterious skin condition. Determined to cure her, Panos will soon discover Danae is not the helpless princess he thought she was, and time is of the essence for both of them.

His advanced studies in philosophy have caused Stephanos to view all people as his inferiors. When he is discharged from the -obligatory in Greece- army service, he thinks the world belongs to him. In reality all that does belong to him are debts left by his mother who has just died and rejection by his formerly devoted girlfriend. Nikos, an old high school classmate, reappears in his life.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A journalist returns to a dark, virtually unrecognizable Athens to investigate his best friend's murder. The victim's girlfriend gives him a hand but they soon realize they either have to abandon their investigation or become cogs in a powerful machine. Marionettes is a story of mystery, shot in an unknown, dark and full of temptations Athens.

1950s Athens. Prince, a self-made impresario and the owner of the "Acropole" review theater, fires one of his leading ladies when she shows up drunk on opening night. In order to replace her, he turns to Lakis Loizos, an expert at comic female roles and an ex-wonder-child of movies, who now runs an agency for extras. At first, Lakis is surprised by the prince's proposal, but finally decides to try his luck on the stage of the legendary theater.

When a series of brutal murders begins, Christos is the only person who can explain what happened. He starts narrating a story to two police officers, a story in which nobody is who they seem to be and they all switch roles and positions up until the final twist. A story about deception, following a narrative that manipulates till the very end.