
Acting
Emmanuel "Manos" Katrakis (Greek: Εμμανουήλ (Μάνος) Κατράκης; 14 August 1908 – 3 September 1984) was a Greek actor of theater and film. Along with actor/director Kostas Leloudas, he acted in his first movie To Lavaro tou '21 in 1928. He later performed in the Ethniko Theatro (the National Theatre) in 1931. During the 1930s, he continued acting in theatrical plays (he was friends with the maestro Dimitris Mitropoulos). He married Anna Lori in 1943. He took part in the resistance as a member of EAM/ELAS and after refusing to sign a declaration of repentance during the Greek Civil War of 1946–49, he was exiled to Makronisos, along with such other well-known figures as Yiannis Ritsos, Nikos Koundouros, Mikis Theodorakis and Thanasis Veggos. In the 1950s he returned to Athens from Makronisos but there was little acting work. He was handed both small and big roles in plays and films. In 1954, he married his third and last wife named Linda Alma (real name Eleni Malioufa). Shortly before his death, he filmed his last and best movie Taxidi sta Kythira, the Journey to Kythera/Kythira, with director Theo Angelopoulos.

An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.

The inextricably intertwined stories of five sex workers who live in a brothel at Pireas harbor.

Living in exile after the death of their father, the grown children of a murdered and usurped king converge to exact eye-for-an-eye revenge.

In Thebes in ancient Greece, King Oedipus kills his father and marries his mother Jocasta, having two sons - Eteocles and Polyneices - and two daughters - Ismene and Antigone. King Oedipus dies a beggar in the exile after gouging out his own eye, and Eteocle agrees to reign in Thebes in alternating years with Polynices. However, he refuses to resign after the first year and Polynieces raises an army and attacks Thebes, and they kill each other. The ruler of Thebes Creon decrees that Eleocles should have an honorable burial while the body of the traitor Polyneices should be left on the battlefield to be eaten by the jackals and vultures. However, Antigone, who was betrothed to Creon's surviving son Haemon, defies Creon's orders and buries her brother. When Creon is reported of the attitude of Antigone, he sentences her to be placed in a tomb alive. Antigone hangs herself in the tomb and Haemon tries to kill his father first and then he kills himself with his sword...

A poor neighborhood of Athens, Asyrmatos, is the center of the world for the people who live there and try in every way to escape from poverty and destitution. A handsome released youth, Ricos (Alekos Alexandrakis), is trying to make money, at the same time that his lover, Stefi (Aliki Georgoulis), is seeing other men and her father, Nekrophoras (Manos Katrakis), is trying to contribute in family finances. Rico will set up a job, but will spend the money raised before he can put it into action. As a result, one of his "partners" (Alekos Petsos) will commit suicide, leaving his pregnant wife, Eleni (Aleka Paizis), to her fate. Rikos, his beloved and her father, defeated and disappointed because of the expectations that were never fulfilled, will be forced to come to terms with the harsh reality.

Up against his money-grabbing relatives, his compromised superiors, and the state, a firm painter decides to protest by bricking up the windows of his house. Everyone wants to get their hands on his legacy. Will the protectors succeed?

A look at poverty in post-war Athens. Kosmas, a young man living in the slums, constantly tries to make ends meet, hoping for a better day. Because of debts, he gets tangled up in smuggling. His morals are tested and he tries to find a way out.

Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing a gold cross set with precious gems, known as the Cross of Alexander the Great. He earns the trust of the meek and hospitable monks. However, a Jewish girl, Anna - whom, while still a baby during the war, her father had entrusted to the care of the hermit Vasileios - continues to pretend she is a young monk. She manages gradually to discover the entire scheme and acts to foil their plot.

