A Hong Kong Cantonese comedy film

A man takes on a gang that has been terrorizing a small village.

Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

Ivy Ling Po plays the dedicated wife of a man being blackmailed for an illicit love affair, who uncovers a pit of deceit, double-crosses, extortion and murder after murder.

A man (Chang Yi) is looking for stolen money (gold coins) and seeking revenge for the death of his master.

They are the girls of the night. This is their base of operations, House 102, to be exact. Here they answer calls from the many hotels, ride out there on the back of motorcycles and give their jaded customers what is generally described as a nice time. Hu Ma, manager, transport man, body guard and procurer of House 102 discovers A-chiao at the railway station and is delighted to know she is a virgin...

Choo died in South America and left a legacy of US Dollars two million to the younger daughter, Pei Fun, of his old friend Chang in Hongkong. The second beneficiary in the will, should Pei Fun die, was Nana, the young widow. Nana returned to Hongkong and conspired with her lover Johnny to wrest the fortune from the Chang family...

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

Hong Kong comedy film.