
Acting
Mamunur Rashid is one of the pioneering theatre activists in Bangladesh. He is the chief secretary of leading theatre group Aranyak which plays crucial roles in creating common people aware about their rights through his plays. He was born on 29 February in 1948 in the village Paikora under Kalhati upazila in Tangail. One of the most popular production of his group is Rarang which deals with the life of Santal community. its another production is Ebong Biddyasagar. In 2012, he received Ekushey Padak, the highest civilian award of Bangladesh.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

Maya is a singer in the biggest brothel of South Asian. She was trained and brought up by her Ostaad Karim Box. This movie focuses on the concept of taking consent and social struggles of a prostitute.

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

A heartbreaking tale of a poor yet honest young man as lies, conspiracies and a horrible betrayal by his rich and influential employer leads his life towards uncertainty.

The film brings to light the lives of jatra artists and their struggles to make a living off the dying performing art.

The film revolves around a family's experiences during 1971, providing a poignant portrayal of the era.

A woman essays the role of a dancer in a play. Things turn interesting when she connects with the character on a personal level and falls in love with the man who essays another role in the play.

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

A heroine returns to her childhood home after a long absence. She confronts her past and recalls her difficult childhood. She struggles to cope with the current decay of social values, vice, and past trauma. The return frees her from the glitters and struggles of the silver screen and allows her to rekindle her relationship with her mother. She approaches life differently as she receives answers from the past.

The depiction of a deprived person is the Nekabbarer. He who lost his wealth in the wrong way, joined the liberation war of 1971, he lost his lover, lost a leg in the war. After the war crippled the rest of the life has to be spent. He had to stay in the madhouse. Nekabbarer went out of the garrison to starve, got the deprivation of society and the lance. Nekabbarer faced death, for ending their deprivation.
