16-year-old Tachiko (Kimiko Asuka) discovers the true nature of her father's wife, Fumie (Michiko Sakyo), who is after the fortune of the company president, Gozo (Keisuke Senda), and recommends divorce to him, but she is kidnapped and her virginity is stolen by Hayata (Ryoichi Amano) who is colluding with Fumie. After the funeral for her father, who committed suicide out of pity for his daughter, Tachiko disappears.

13-year-old Sachiko is about to encounter the most difficult moments in her young life. Her father abandons her and her mother attempts to commit suicide by slashing her wrist. Her teacher, whom she relies on heavily, leaves for northern Japan to take another job. Other students start to gossip about Sachiko and her former teacher. Sachiko then drops out of school and attempts to find herself.

In order to be with the man she loves, Kim goes back to Japan from Korea. The man saved Kim from darkness, when she was little. But he was raised by Kim's mother under the dark world. Now, he is involved in the criminal world. To protect her love, Kim makes a dangerous plan to get the man from her mother.

The best must be the freshest. The best sake also follows the same principle to brew in which it needs the best and freshest raw materials, and also the freshest virgin to make it? Visiting one of a Japanese pub that seems to offer the best warm sake, Mononobe tries to follow the steps to reproduce the same flavor. However, he suddenly found out that those flavors are actually a combination of sake, sweat, and other bodily secretions of a virgin. As his only daughter is not a virgin anymore, the only way to make the best sake without a pure virgin is...

A young couple with artistic tendencies spends their time around a bar in central Shinjuku, trying to figure out their relationship and life aspirations.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

A salesman who is double-married ends up having to marry another woman through an unexpected turn of events...

Pink film directed by Kan Mukai.