Date first general impressions: 1956 Pattern movie: Black and White. Malay Film Productions Ltd. ... Film Company

Omar Rojik’s ‘Batu Durhaka’ tells the story of Wira and his ultimate fate of committing disloyalty and sin towards his mother and family. His nemesis is Perkasa, a vicious and lustful tyrant in the village community who has kidnapped his younger sister Indah. The kidnap was witnessed by Wira’s handicapped brother Mala, who could do nothing other than watch and be rapped by Perkasa’s followers. When Wira confronts Perkasa, he is defeated and put away on a boat to nowhere. After drifting afloat for a long distance, he is rescued by Mahaguru Bentara who brings him to a cave to recuperate. Under the tutelage of the Mahaguru, who is a martial arts exponent, Wira becomes one of his leading disciples and falls in love with his daughter Desawati. He betrays Desawati's love and their consummation when he decides to return to his village, to seek vengeance against Perkasa.

Bidasari film tells the story of a girl who lives shared with a fish that has a pretty face and a stunning stained-glass voice. Bidasari is a hatred by the Queen after she found that Bidasari is the most beautiful woman in the kingdom when she once saw in the magic mirror.

Thirst film is a FMalay film which was published in Malaysia in 1966. The movie Thirst published in the form of black and white film without color.

The story of a princess who was sworn into the black since childhood. He is destined to marry a prince and lived in the palace. But disliked by her mother in law

Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.