Directing
No biography available.
18 vignettes about the final moments of various Swedes before the end of the world.
EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.
The story revolves around a group of teenage boys. When one of them suddenly gets a chance to make a pact with the devil things shift quickly in their lives.
A collage of contemporary queer culture in Poland. Rough, iconoclastic, shocking work and staged excerpts picking up the issue of freedom of expression and sexuality.
The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.
Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.
Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.
A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.
I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?
A family travels through Egypt in 6 months.
Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.