Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.

Charlotte receives a solemn phone call from her father, Henning. The time has come. A childhood promise resurfaces in her memory—a vow that if the light of life ever fades for him, she would assist him in his journey to the beyond, but not until "a hundred years" had passed.

The drama chronicles the affair between Inger, a young Danish woman from Copenhagen, and Kwame, an illegal immigrant from Ghana, that she meets while volunteering at a homeless shelter. Despite their cultural differences, and the disapproval of Inger’s own mother, the two quickly develop a strong bond and move in together. Everything seems perfect and serendipitous, but then Inger discovers a devastating secret that Kwame has kept hidden.

Bo is invited to his friend Martin's bachelor party. As the party unfolds, mysterious events begin to occur. What starts as a wild weekend, spirals into chaos and paranoia.

On March 21st, 1945, the British Royal Air Force set out on a mission to bomb Gestapo's headquarters in Copenhagen. The raid had fatal consequences as some of the bombers accidentally targeted a school and more than 120 people were killed, 86 of whom were children.

If the devil offered you his hand, would you take it to save your life?