Mr. Saadat's [Morteza Ahmadi] daughter Manizheh [Soroor Najatollahi] has agreed to marry Engineer Mehran [Ali Shoa'i]. Mr. Saadat, a mistrustful man, has Mr. Taqi [Akbar Abdi] keep an eye on Mehran. Mr. Taqi claims Mehran is a member of a gang of heroin smugglers. It soon becomes clear the smuggler in question [Babak Shoa'i] is someone else who resembles Mehran and lives in the building where Saadat lives; Mehran and Mr. Saadat's daughter are free to marry.

When Amir learns that the woman who is to marry his younger brother Reza is having an affair with another man, he murders her to restore his family's good name. Considering the killing to be a matter of honor, Amir stoically goes to prison for 12 years where his fellow inmates regard him as a hero. But when he is released, he discovers that the Iran he knew has changed.

An Iranian girl marries a man who has been loved by a witch- daughter of a jin, who tries to frighten the poor woman by showing herself in evil ways that make the poor woman go unconscious several times and her sister convinces the poor woman's husband to divorce her.

Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

The story focused on a group of farmers who decide to stand up to their tyrannical landlord by rolling a gigantic stone from the top of a mountain with the intention of smashing his exploitative mills and production facilities to smithereens.

An intimate documentary shedding light on the life of veteran Iranian actor, Ezzatollah Entezami.

Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.

The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.

During the Islamic revolution a SAVAK member Amani marries a woman her name Laleh. Laleh is a doctor and helps the injures of the revolution. Her brother is too involved in the revolution.

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?