A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called "Spider Killer", who believes he is cleansing the streets of sinners.

Palestine, 1948. After the withdrawal of the British occupiers, tensions rise between Arabs and Jews. Meanwhile, Farha, the smart daughter of the mayor of a small village, unaware of the coming tragedy, dreams of going to study in the big city.

Kamal resolves to change his life for the better, and so leaves Belgium to help victims of the war in Syria. But when he arrives, he is forced to join a militia and is left stranded in Raqqa. Back home, his younger brother Nassim quickly becomes easy prey for radical recruiters, who promise to reunite him with his brother. Their mother, Leila, fights to protect the only thing she has left: her youngest son.

Israel is sealed off after the outbreak of a deadly virus and Gaza has become the safest place in the region, leaving a British journalist and his Israeli girlfriend trapped on the wrong side of the border. With no one else to turn to, they must entrust two Palestinian street merchants who promise a way out in exchange for much needed cash. What follows is a hilarious culture clash comedy-adventure as the couple desperately try everything to get back home.

When Maya learns her father Sam was once a spy, she suddenly finds herself at the center of an international conspiracy. As she seeks answers, Maya herself becomes a target and must quickly learn the skills of her father.

How far are you willing to go to save the people you love? This is the question Christian is forced to answer when he is smuggled into Syria in a desperate search for his son Adam. It's a deadly and soul-searching journey into a brutal, war-torn country. Gradually, Christian realises that he must be willing to sacrifice everything he believes in to be reunited with his son.

Zahra, who is in the last trimester of pregnancy, works as a machinist in a vast clothing factory. Her wages are barely enough to live day to day; her husband went away looking for work and she has no idea where he is. When she is told that she must have her baby delivered by Caesarean, she has no idea how she will pay for it. Then a snippet of discussion on the radio suggests to her a desperate plan to save herself and her baby. An exceptionally well-made slice of social realism about a world where it’s every woman for herself.

In the slums of Jordan, power circulates through fear, favors, and violence. Boomah, a volatile street enforcer, survives on petty extortion and intimidation because for those at the bottom, crime is the only work that pays. Children move through the same streets she controls, selling goods, running messages, learning the rules of danger before adulthood; Boomah frightens them, exploits them, and sometimes protects them, caught between the instincts of a predator and the shadow of her own abandoned childhood. Surrounded by women struggling to shield their families, she carries a fractured relationship to motherhood, shaped by loss and survival rather than care. When a new, more organized criminal force begins to restructure the underground economy, independent lives like hers grow increasingly disposable, and Boomah is pushed to confront what it means to survive in a world where violence is labor, children inherit the streets, and motherhood is both a wound and a responsibility.

The chant is three short stories that intersect with each other. about three neighbours from different age groups dealing with entirely different issues over the course of one day.

In 2007, Yahya works at his friend Osama’s falafel shop in Gaza, which doubles as a drug dealing front. His entanglement leads him to witness a terrible crime. A couple years later, Gaza’s Ministry of Culture randomly chooses Yahya to star in a TV series that highlights martyrs and heroes of the resistance. As conflict simmers in the distance, Yahya unexpectedly receives real weapons, heightening the stakes as the show provides him with an opportunity to confront the perpetrator of the offense that changed his life.