The film is set around three protagonists. Two run a gas station on the outskirts of town, on a road that gets next to no traffic anymore, and so they get next to no customers. They live and work out of a decrepit van on site, its windows covered in plastic. Sadry is a former strongman, now blind in one eye. He is the boss of the station. Yadi is his eager to please assistant, who usually annoys more than pleases. Finally there is the postman, Abbas, who longs to trade in his brakeless bicycle for a motorcycle, while he must care for his mentally ill brother.

Yashar has returned to Iran after few years to give a news for his friend's family, Unaware that they have news for him.

The Badger is the story of a 40-year-old woman called Soodeh Sharifzadegan who faces a strange incident, right before her second marriage.

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

Death and love are sacrifices, which in principle, the woman's hero, takes the film to Paradise.

Toomaj manages to escape from the prison but when get back home he finds that his wife has been raped by an unknown person. This is only the beginning of the troubles as Toomaj begins to search for that person.

In a harsh and mountainous landscape, at an abandoned station called Tang Haft, Hassan is responsible for transportation of people with a suspended cabin-like device called Gargar over a roaring and wide river. This is an opportunity for Hassan to know people and be witness to their life stories, loves, happy times and sad times. Unexpected events reveal new truths about his only friend, a young peddler known as Angelic Asghar.

Mohammad Ali is an actor and filmmaker who returns to his country Iran to begin a new life with his painter wife Mitra. Finding a home seems impossible, however, and a baby is on the way.

With his father in jail, probably for smuggling alcohol across the barbed-wire border, Behruz and his family are destitute. His love of birds and talent for imitating their songs land him the unhappy job of helping to capture them for a local bird merchant. He meets a girl his own age whose mother comes to Iran to sell clothes, but they leave before he has a chance to say goodbye. Qanbari sticks to images and the children’s plaintive faces, old before their time, to tell his story almost without words. Their delicate emotions are echoed in a local bridegroom’s illegal crossing into Azerbaijan for his own wedding.

When demonic Jinns threaten his mother, a man must confront the sins of his family and a curse that spans generations.