Composer, conductor and teacher Peter Ilych Tchaikovsky struggles against his homosexual tendencies by marrying, but unfortunately, he chooses wacky nymphomaniac Nina, whom he is unable to satisfy.

In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.

Russell’s composer biopics were usually labours of love. This was the opposite: he regarded Strauss’s music as 'bombastic, sham and hollow', and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. Strauss is depicted in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche’s philosophy, duels with jealous husbands, literally batters his critics into submission with his music, and glorifies the women in his life and fantasies.

Imprisoned Harry Lomart is a vicious, brute of a man and yet he is prepared to do his long jail term as he is confident that on his release his beautiful wife Pat will be waiting for him, but a visit from Pat brings him his worst nightmare.

Another stab at Henry Fielding's hilarious novel about the amorous misadventures of a dashing young man in 18th century England. The brilliant 1963 version, starring Albert Finney as the lusty hero, won four Oscars. Joan Collins does a great job as a Wicked Lady style highwaywoman.