Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

A coming of age story about a dreamy girl.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

Al-Gharib is a dangerous criminal who only strikes at night. As the police fail to catch him, Al-Gharib befriends a wealthy college student who gets to see a side to the terrifying serial killer that no one else gets to see.

During 1942, Nadia Burhan lives with her mother in Alexandria, Fawzia lives with her husband Shaker, whom she married against her family's will. Nadia meets Salah and agree to get married. Fawzia dies from a German bombardment of the city, and Nadia has amnesia and Fawzia's husband tries to delude Nadia that she's Fawzia.

After getting dumped by Adel, Zizi marries Hussein just to keep her pride. They agree to get divorced after a while, until she finds out that Hussein is helping her father in his financial crisis without mentioning anything.

When her father dies, the devastated Samira decides to take revenge on his murderers after she discovers that he was killed by a gang. She searches her father's papers until she finds incriminating evidence. The gang's leader sends one of his men, Hussein, to get it.

Alia and Fawaz are two lovers who belong to two different Bedouin tribes. Despite their feelings for each other, it soon becomes apparent that they can not get married.

After the death of his wife, the head of a family lives in emptiness and boredom after his children became busy with their lives. He meets a lady whose circumstances are similar to his and the two decide to get married without telling their children, which creates a lot of problems.

Mona is torn between the love she has for Khaled, and her utter abhorrence of the male-dominant practices. When Khaled sweet-talks her into believing he is a liberal man, she marries him, only to be shocked by his real self and his controlling tendencies.