A storm causes damage to a bridge that connects the world of the living with the world of the dead. For this reason, the information about Maria’s own death reaches her with delay.

When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.

Konecki works here with none other than Andrzej Saramonowicz who makes his debut as a film writer with this film that one could view as a spoof of today's cinema, focusing mainly on the part of "O Romeo, Romeo, wherefore art thou Romeo?"

The film tells about the period of Polish history in the 20s of the last century, when the fragile government of the country fell, and a man of the people came to the fore. In fact, he turned out to be a cunning populist and an immoral politician, ready for any tricks for the sake of his goals.

A handsome young chauffeur hired by a powerful and charismatic businesswoman discovers he has been made an unwitting party to fraud, but his moral outrage is complicated: the married man allowed himself to be seduced by the woman, who threatens to tell the man's wife.

Convinced he can charm any woman, a tenacious flirt sets his sights on a headstrong bride-to-be engaged to the son of an ambitious politician.

The sisters struggle with their own bodies. One, driven by ambitions, seeks the limits of its possibilities, for the other, the body is a prison. One believes that ballet will save her from memories. The second observes the world from the balcony with such attention that she sees and hears more.

After 20 years, a man returns to his quiet, idyllic hometown in search of a wife only to find the community torn by a heated mayoral election.

A successful Los Angeles lawyer discovers that a short-term affair could have long-term consequences when a woman he had a brief affair with claims that she's currently pregnant with his unborn child.

A member of a therapy group is found dead. A prosecutor and a police officer try to solve the mystery of his death.