A prostitute named Sarangua accidentally enters the studio of a simple, attractive artist. In the early morning, the artist Hangal often sees a slender, beautiful woman getting out of a car and going into a neighboring building. He likes the girl's body and wants to paint a nude still life, so he asks the caretaker of the building to meet Sarangua. Out of a fatherly kindness, he doesn't tell her, lest the girl be seduced by a bad man. But the girl sees a man and money, and treats the caretaker. The nude still life is finished. Sarangua has not seen her still life. The artist Hangal's exhibition is held in the art gallery, and Sarangua comes to him to express her love by giving him a red rose. Unfortunately, the nude still life has been sold.

Taking advantage of the current political and social instability in Mongolia, a system has emerged where privileges can be used to do whatever they want, and a small number of powerful people are regulating everything according to their own desires. The land and water that every Mongolian has grown up with are sacred idols that they cherish and love throughout their lives. This film tells the story of the fate of the country and the lives of its people behind the terrible migration that is facing danger every day.

Turbat, an architect by profession, lives off lending money at high interest rates after taking low interest loans from the bank together with his wife. When the borrowers fail to repay, the bank seizes their household possessions and the property of their small private business. After a tragic car accident, his wife ends up in prison. Their only daughter dedicates herself to fighting for her parents, doing everything she can. One day, she accidentally finds out that her father’s architectural project has been approved and lets out a cry of joy. Their lives, especially her father’s, begin anew.