
Acting
Mélanie Doutey is a French actress. She is the daughter of filmmaker Alain Doutey and actress Arielle Séménoff. She appeared in Claude Chabrol's La Fleur du Mal and El Lobo, the true story of a mole within the Basque separatist group ETA. She also made a cameo in singer Calogero's video for En Apesanteur. In 2006, she was nominated for a César Award for Most Promising Actress for her performance in Il ne faut jurer de rien!, a cinematographic adaptation of an Alfred de Musset play. Her scene with Jean Dujardin and Gilles Lellouche, directed by Jan Kounen was cut from the final version of Les Infidèles (2011 film), but later appeared on some DVD versions. From 2002 to 2013, Doutey was in a relationship with actor Gilles Lellouche. They have a daughter named Ava, born on 5 September 2009. She dates chef Cyril Lignac. Source: Article "Mélanie Doutey" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Three generations of a wealthy Bordeaux family are caught in the crossfire when Anne decides to run for mayor, thanks to a political pamphlet that revives an old murder scandal.

Gustave Klopp suffers from narcolepsy, he can fall asleep everwhere at anytime whithout warning. Living a simple life with his wife Pam and his best friend Lenny Bar, Gus decides to undergo therapy sessions and finds out that he can make incredible comics from his dreams.

When Florence, his companion of five years, shocks him with the news that she's leaving him, moving to Miami and marrying another man, Arthur loses it. He follows Florence to all the way to Florida with plans to stop the wedding, which is set to take place in just a few days. Along the way, he crosses paths with Emilie, who is also heading to Miami, but unlike Arthur, is wanted by the police. As a result, Arthur gets stuck on an adventure he definitely never expected.

The Muller company organizes a reception to mark the launch of a new product. During the evening, we discover that this is actually a coaching exercise for company executives. Gradually, rumours about the upcoming acquisition of the company start to emerge and everyone finds themselves trying to save their place.

Paris, 1830. Valentin loses himself in alcohol, gambling and women. He does not believe in life and especially not in love. His uncle Van Buck believes only in the virtues of money and trade. Everything separates them until the day when Van Buck, to improve his public image, wants to make Valentin marry the young and impoverished Baroness Cécile. Valentin, who has absolutely no desire to get married, bets that he can easily seduce her in 24 hours and thus prove that she, like all the others, is not worth loving... But Cécile, who believes in true love, will prove much more difficult to woo than envisaged and Valentin will have to use all possible stratagems to try and win his bet. The game of cat and mouse starts... But who is the cat?

Laurent loves Camille but he can’t bring himself to marry her. Then he meets Elodie and discovers what love really is – not the mild cozy affection he has for Camille but a cataclysmic, thunderous all-consuming earthquake of the soul. The only problem is that Elodie is the girlfriend of Laurent’s best friend, François...

Retired Englishman George Hall's hypochondria worsens and takes its toll on his family.

Based on a true story. In the 70s, during the last stages of Franco's dictatorship, Txema, a basque construction worker, is arrested because of his connection to some terrorists who have just committed a murder. The secret service see in him an ideal candidate to infiltrate the terrorist band ETA and become a mole, so they try to offer him a deal if he will do so.

A company, where manipulation and harassment is a problem between colleagues, decides to organize a canyoning trip for its employees. The building tensions between co-workers might actually explode during this trip.

A director wants to make a documentary about actresses, all actresses: the popular ones, the unknown ones, the intellectuals, the comedians, the forgotten ones... Filming everything, with or without their consent, the director gets caught up in the game and lets herself be devoured by these women, who are as fragile as they are manipulative.

Louise and Manu have very different ways of dealing with grief. While Manu chooses to move forwards, Louise is disoriented, literally: she can only move forward backward. One day, she meets Camille who reassures her about her condition and reveals to her the existence of a discreet community, « those who live better from behind ». With them, Louise learns to move forward by going backward.

Louise and Manu have very different ways of dealing with grief. While Manu chooses to move forwards, Louise is disoriented, literally: she can only move forward backward. One day, she meets Camille who reassures her about her condition and reveals to her the existence of a discreet community, « those who live better from behind ». With them, Louise learns to move forward by going backward.
