A lonely 40-ish man, likely to remain a bachelor, has a chance to find the love of his life when he falls for a vivacious young woman.

Set against the backdrop of bustling New Delhi, the story quietly follows a specific day in the mundane routine-driven life of a young boy called Manu. Manu is a nineteen-year-old, introverted, repressed boy who loves art, and belongs to a middle-class religious family in India. On this particular day, a series of events brings him finally to confront himself, and in the end, leaves him in a dilemma to bring the change in his life or not.

Twelve male members of a jury gather together in an enclosed room to deliberate their decision on a charge of murder against a young man who has been accused of killing his elderly father. All of the jury, save for one, are convinced of this young man's guilt, and they would like to convince their colleague also to come to the same unanimous decision. But will they be able to convince him to change his verdict? Its a hindi remake of the movie 12 angry men.

Sanjay wanted to pursue art, but his father forced him into a career as a train conductor. Unhappy, he meets and falls in love with Shalini but is pressured into an arranged marriage when his father comes to find out. Feeling trapped, he turns to drinking and brothels, until he gets one final chance to escape with Shalini and start his life anew.

At an anniversary party, Sohrab Handa is found dead, with his throat slit in the hall. As the investigation unravels, friendships are tested, and secrets are revealed.

In this rather routine, made-for-television movie by famed Indian director Mrinal Sen, an employee (K.K. Raina) in a large office is suddenly facing unemployment because his bosses have found him guilty of negligence. He is devastated, but he cannot lose his job since he is the only support of his family. Interspersed with the employee's efforts to convince his boss, in several different ways, that he cannot be fired are direct dialogues with the author (Shyamanand Jalan) who created the character of the employee. In these latter conversations, the employee berates his creator for giving him an impossible, no-win situation — he has no control over his fate.

Aisha, who loves playing matchmaker much to her friend Arjun's disapproval, finds a new target in the simple Shefali. But in the process, she ends up ruining her own relationship with close friends.

Savi, a simple housewife, attempts a daring jailbreak to get her husband out of one of England's high-security prisons consisting of 400 inmates, 75 armed guards, and 60 surveillance cameras.

When a politician is killed, a journalist discovers that a member of parliament had the man assassinated. As his editor digs deeper, the complicity of higher-placed politicians comes to the surface, which leads to riots in one town and an attempt to suppress his story.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.