The famous textile worker Natasha Abrikosova travels from Moscow to Tashkent to introduce the innovative method of the Vinogradovs at a textile mill (E. Vinogradova was the film's technical consultant). However, the director of the plant, Rizaev (a hidden enemy), is trying with all his might to thwart Abrikosova's plan. Having chosen Asal as her assistant, the girl soon achieves a record output and, thereby, provokes Rizaev to an open crime.

The film is a touching story about an Uzbek family who gave shelter to 14 kids evacuated during the World War II while their own child was at the battlefronts.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

Two lovers are torn apart by the violence occurring among the feudal lords in early 19th century Tashkent.

Summer of 1941. Mothers and wives of Uzbekistan escort their sons and husbands to the front. They are learning new professions and sending food trucks to the front.

The concert film is a gift from Uzbek art masters to Uzbek soldiers fighting on the fronts of the Great Patriotic War.

A comedy film about young Uzbek collective farmers and sports enthusiasts. Overcoming the prejudice of the elderly, they prove by personal example that sports not only do not interfere with work on a collective farm, but, on the contrary, contribute to labor success.

The Russian revolutionary Bashilov was exiled by the tsarist authorities to Turkestan, to the waterless Hungry steppe. Here he saw the lack of rights, poverty and humiliation of the people. The intimidated dehkans are afraid even to stand up for the little Batyr, the son of Hakim, who raised his hand against the bai. And only Bashilov stands up for the boy and adopts him.