The bank is preparing to solemnly celebrate the 15th anniversary of the institution. And at that moment, two events took place that turned everything upside down.

Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.

In 1921. With the help of Japanese interventionists, the White Guards defeat a Shaldyba partisan detachment. The remnants of the defeated detachment pour into Levinson's detachment. Partisan intelligence soon finds that the Japanese has surrounded the detachment. To save the main forces from defeat, Levinson decides to break through the chains of enemies.

A Russian woman tells the tragic story of her life.

Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

A man discovers that he's not the father of his wife's baby.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

In 1929, the Chinese are preparing an attack on the CER, recruiting soldiers to their gang. Among them there is a resident of a lodging house Van. Having recovered after a sudden attack on a Soviet border village, the Red Army squad goes on the offensive. Wang is among the prisoners. Wang and another prisoner go on the run. But on the road between the fugitives there is a conflict and young Chinese Wang begins to realize who his true enemy is...

Ivan Vasilyevich is in love with Varenka and is admired by her father, Colonel. But the transformation of a tender loving father from a good-natured colonel into a cruel and ruthless tormentor shocked Ivan so much that his feelings for Varenka quickly cooled.