Luna rebels against the indifference of her artsy friends by writing a punk song about Laugo, the construction worker from across the street. Will the clashing worlds of affluent neglect and working life lead to the collapse of their romance?

On a road trip across Italy, recent high school graduates Ira, Malin and Ka pick up the intriguing backpacker Zoe. As the four girls stumble across an abandoned village, they start to experiment with the limits of their newly found freedom, away from the expectations of their parents and teachers.

(to be translated)

Once again, 16-year-old Jonas starts at a new school and, as always, he has no intention of being anybody’s darling. Jonas has muscular dystrophy, is confined to a wheelchair and knows that he will die sooner rather than later from this incurable and progressive disease. His mother Alma, who raises Jonas alone and would rather take a second job than forego therapy for him, is determined to delay his deterioration. She has placed Jonas with Dr. Wildenhahn, an authority on Duchenne disease. The doctor manages to be taken seriously by Jonas, that is until he gets to know Emily, Marianne Wildenhahn's daughter, who goes to his class. Emily has a massively low academic grade, which she hides from her mother because of the doctor’s high standards. Emily falls in love with Jonas, and her sincere affection gives him the courage to love her back. Emily and Jonas become a couple, overcoming all obstacles.

Gerd Meineke is a committed member of the Bundestag and member of the Parliamentary Assembly in the Council of Europe. And he has a problem: Leyla, the daughter of his partner Alina, was taken into custody as an opposition figure in her country of origin, Azerbaijan. The blogger fights there for democracy and against environmental destruction. Gerd travels to Baku as an election observer for the Council of Europe, where he wants to campaign for the release of Leyla and other political prisoners. Only on site does he realize that the government and the lobbyists of influential companies are using politicians like him to gain credibility for the ruthless, environmentally destructive extraction of critical raw materials. Leyla and her friend Valentina open his eyes to the extent of corruption that does not stop at Western European politicians. Will Gerd, together with Leyla and the help of her friend, be able to make the corruption of politics public?

Spending every evening in a new and mysterious stranger’s bed, capricious transient Nore agrees to move into a spare room eagerly offered to her by Jonna, a reserved medical student. Against the odds, this unlikely pair finds solace in each other and fall into an intoxicating pattern of partying hard at night with the local men vying for their attention. As their relationship intensifies, Nore’s troubled past comes to light and threatens to dismantle the blissfully ignorant, inexplicably jubilant lifestyle they’ve built together in this “candy-colored, flamboyant and deeply personal film.” (Variety)

The Turguts are a modern, tech-savvy family: Emma, her husband Amir and their son Malik live in a state-of-the-art smart home. Emma relies on smart technologies not only in the house, but also in her work as a psychotherapist. In order to be able to help more and more people, she is helping to develop an AI-based therapy app. However, as the first practical phase begins, initially minor but soon serious incidents occur with the networked and omnipresent technology.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.

Music manager Eric quits his job and decides to become a mortician of all things