Production
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A man uses zombie's bodies for his art.
In northern Scandinavia, a seemingly never-ending border conflict is going on between the indigenous Sami people and the Norwegian and Swedish authorities.
“Man-Horse” is a film about an old farmer, Jonas, and his horse. It is an intimate story about the existential relationship between human and animal; it is about solitude and the daily effort to survive. The film's director and Jonas Šalomskas are neighbours in the village of Užuguostis. They have known each other for two decades.
The inhabitants of the canyon of river Kupa, located on the border between Croatia and Slovenia, have historically been united due to their harsh living conditions, but this peaceful cohabitation between members of different cultures is threatened by the construction of iron fences to prevent the transit of refugees from Bosnia.
Every day, the Carlingford ferry takes travelers from Northern Ireland to Ireland, a short sea voyage across an invisible border that invites reflection on the consequences of Brexit.
A father, who unexpectedly gets custody of his teenage daughter, has a second chance to gain back her trust and rebuild their relationship.
On each side of the border between Lithuania and the Russian exclave of Kaliningrad, there is an ornithological station that studies the migration of the millions of birds crossing this border region. Today, for the first time, both ornithological stations are trying to cross borders with a joint bird research project. Will they be able to work together?
Two women, a psychologist and a police officer, engage in a challenging mission - to reduce the record suicide numbers in their rural hometown in Lithuania. Valija and Gintare provide door to door empathy and compassion, healing the loneliest members of their community. As fear of losing another life reaches its peak, the women form a resourceful friendship and together they succeed to ease the crisis and prove that suicide prevention can be effective. The observational camera makes the audience witness and finally understand how they really succeeded in tackling this complex issue.
The first part of the film – Island of Crete – was created in 2007, as an independent work. The second part – “Confession" – is like an other half of the Island of Crete, which reveals the reality of it as evidence of a rather cruel creative mechanism occasionally opens up even coercive elements. The author is trying to take a good look in the episodes that are often destroyed in the name of the film illusion creation.
Two best friends who are passionate canteen chefs signed up for a high-class cooking reality show by faking their unimpressive resume. This contest will challenge their skills as well as their friendship, and the unexpected fame.
Rimants is more interested in playing rugby, listening to music and dealing on the black market than studying for school, but when he falls in love with Monika, his faith in love and the future is tested.