Moïra finally meets Sacha, after several interactions on the Internet. But Moïra has only one idea in mind: to find the devil.

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.

Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely sta- tion for an unusual course in the wild that is supposed to get them back on their feet. Each step in this boot camp, designed by an eccentric and feisty female coach, aims to reveal them to themselves. The task seems to be a tough one, especially as nothing goes as planned between these men.

It's the story of Detective Smiley's latest investigation, but it's also the story of Elias Baucasse, a missing activist. A do-it-yourself epic in 2020s France.