Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.

Argentinísima II is a film filmed in Argentine colors directed by Fernando Ayala and Héctor Olivera according to their own script that premiered on June 21, 1973 and whose main actors were Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos and Raúl Barboza. The continuation was planned for 1974 as Argentinísima III with a plot by Jaime Dávalos, but since problems with the title and intellectual property could not be overcome, it was not made.

A naive car caretaker must take care of a baby and search for his father.

Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

After filming the hippie professor Luis Sandrini filmed this sequel to the above, following the sanctions imposed on it by Professor Horacio Montesano, sending him to Patagonia to a secondary school. Among the supporting cast is the famous singer Piero (he even play many of their good songs).

Film directed and scripted by John Dalton at the beginning of his stay in Argentina. Alton decided to make an independent project under the name of Alton Films, and summoned Luis Sandrini to star it. The result was catastrophic and all copies of the film were destroyed, therefore it is considered to be totally lost.

Bank employee is tempted to make use of banknotes scheduled for destruction.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.

A town football player becomes a figure for his strange gift of gaining strength by listening to the barking of a dog.