Directing
Luis Ospina (14 June 1949 – 27 September 2019) was a Colombian film director. He is one of the founders of Caliwood film movement along with Carlos Mayolo and Andrés Caicedo.
August 6, 1956 during the military dictatorship of Rojas Pinilla. A military convoy loaded with dynamite explodes in the center of Cali, destroying a good part of the traditional buildings of the city and exposing the roots of some houses that for years had kept the secret stories of their inhabitants.
In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.
In an old and mysterious tropical mansion cohabit the supposed owner, a friar, a convalescent pilot, the Haitian servant, the mercenary guardian and the Machiche, a mature and dominant female. A young model arrives there to unleash all kinds of passions.
Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.
An encounter, in Lisbon, with Colombian filmmaker Luis Ospina (1949- 2019). He talks about the troubled modern history of Colombia, while remembering his life and work: his childhood, the early affinity with cinema, his time in the United States, his comeback to his birth country, and the foundation of Grupo de Cali, alongside Carlos Mayolo and Andrés Caicedo.
Based on the only four surviving shots of the first Colombian silent film, MARÍA (1921), by directors Máximo Calvo (Colombia) and Alfredo del Diestro (Spain), IN SEARCH OF ‘MARIA’ combines historical research, interviews, and scenic reconstruction to rescue the memory of a lost film.
Experimental film inspired by Andy Warhol's 'Sleep'.
An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.
Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.
Jairo José Pinilla Téllez is the pioneer of suspense and science fiction in Colombian film. Pinilla was the first to use special effects in Colombian film and now, at the age of over 70, he is working to finish his last film. This documentary follows Jairo’s footsteps through Colombian film.
A film about shoeshiners in the streets of Cali. A pure piece of direct cinema in the first installment of the crafts trilogy.
Hairdressers in Cali discuss life, work, dreams, beauty, fashion, and homosexuality. The filmmaker is having a haircut too. Second installment of the crafts trilogy.
It begins with the tragedy of Armero, during the course investigates the murder of a beautiful woman and on his way some people die in the end a killing and a cemetery. Emerson Roque Fierro, former policeman and private investigator shadowing, investigates the murder of "Golondrina", a beautiful young woman, occurred in a seedy hotel in downtown Bogota. Without knowing who it is, begins to understand their relationships with a motley gallery of men: a corrupt politician, connected to drug trafficking and paramilitary groups, a bullfighter cunning and good for nothing, a boxer fallen on hard times with a force so stupid as rare Lotero intellect and an insightful blind. And in the midst of this, the dark threads entangling power to everyone, and especially the poor Fierro.
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.
The life of Pedro Manrique Figueroa, a pioneer of collage in Colombia, is both incomplete and contradictory. Taking his life and work as a pretext, this mockumentary takes the viewer on a journey through history from the year 1934 up until 1981, when the artist mysteriously disappeared from view.