Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

Hadji, a young man living humbly on the banks of the Ganges River and in desperate straits after losing all his possessions, is accepted as a disciple by a mysterious spiritual guide.

Tesa Arranz, a key figure in the 1980s Madrid scene and the lead singer of the Zombies, has painted over 500 portraits of outer-space creatures. Confronting the singer’s paintings with the memories of her youth, her poems and diaries, ALIENS depicts an emotional landscape in Spanish history where happiness, nightmarish experimentations and alienation walked hand in hand.

Tesa Arranz, a key figure in the 1980s Madrid scene and the lead singer of the Zombies, has painted over 500 portraits of outer-space creatures. Confronting the singer’s paintings with the memories of her youth, her poems and diaries, ALIENS depicts an emotional landscape in Spanish history where happiness, nightmarish experimentations and alienation walked hand in hand.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.

Four iconic sequences in the history of Spanish cinema are aesthetically revisited. A strictly geographical search that places the camera in the very same spots where the shots of the original films were taken. No lighting. No audio edition. No actors. Just whatever there is fron of the camera.

As they travel through the Isle of Bioko, Antonia tells Pilar stories related to the Spanish colonial past. Carlos spends a hot summer afternoon in 2011 with his family. José and Diana talk about the future.

An unfinished canvas apparently painted by Antonio López resists (does it?) the charges of weather and nature during a whole week. This week is shown four times from four different audiovisual perspectives which try to analyze the relationship between film author and landscape representation.