Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.

Constel·lació Portabella traces the exciting life of the great Catalan film director and artist Pere Portabella , which traverses the cultural and political history of the country and the last seventy years, letting us be carried away by the passion, the intellect intelligence and curiosity.

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

“Two men and a woman meet as a matter of urgency to discuss a subject they consider transcendental to them. However, the order of the session does not occur as it should. The cinematographic montage takes over the story and transforms the meeting into a circumstantial dialogue.”

Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.