An architect and a prisoner work on the same construction project.

Sam works on the tolls and likes to listen. He overhears more than he bargains for and becomes embroiled in a mishmash of corruption and blackmail. Anna is a hooker who specializes in throwing tomatoes at ageing weirdos. Sam and Anna's paths cross as he works to expose shady maneuvrings by the CEO of Infacorp, who is out to land a contract to build a tunnel under Auckland harbour.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

A radio compere is forced to take the late shift and finds her night going places she couldn't have imagined.

A group of tech-savvy teens stream their wild party online. But when Brie (Alice Darling) wakes up, she’s all alone. A sinister smiley message tells her that her friends are each trapped in separate boxes. They’ve all got their phones, but if anyone attempts to call the police or their parents, the penalty will be deadly.

Richard, an astronomy-obsessed worrier spends his time fantasizing about outer-space and the cosmos, an activity which antagonizes friends and family. One day, he meets Johnny, a handsome Italian man, with an enormous appetite for life, whose idea of a holiday involves breaking into the nearest small holiday home. He offers him love and an escape from the monotony of work.

This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based films that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and a retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and big screen romance Broken English. Wright died in November 2018.