Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

An elderly women looks back on her life as she relates to two younger, female visitors a caregiver and a lawyer. An unexpected turn of events casts the three women in a very different light.

When her mother leaves town to visit a sick relative, Margaret's concern for her father grows. She does not know what he is working on in the basement and cannot figure out why his behavior has changed.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?

Pursuing two respectably married women at the same time, a would-be seducer fails to anticipate that his targets will, quite literally, compare notes. Nor has he reckoned on the mischievous spirit in which the wives will use their wits and wiles to teach him the error of his ways. Set in the 1950s, in a town not unlike Stratford, Ontario, this production brings Shakespeare's rollicking comedy close to home - and close to our hearts.

Television adaptation of Richard Heuberger's operetta of the same name.

Who would have guessed that Antipholus's long-lost identical twin had just arrived in town? Or that his servant, Dromio, also has a newly-landed identical twin? Sheer confusion and delightful nonsense reign in Shakespeare's most madcap comedy, culminating in a series of misunderstandings that brings everyone to the brink of hysteria.

Cymbeline's daughter, Innogen, is thrust into the world of court politics and ruthless personal ambitions when she chooses a lover beneath her station. Deceived by the dastardly Iachimo, Innogen must fight to protect her honour and agency.

Franz Léhar's operetta The Merry Widow has enjoyed extraordinary international success since its premiere in Vienna in 1905 and has been performed and performed again and again. With the 1979 revival at the Deutsche Oper Berlin, August Everding revives a forgotten piece of German-Jewish cultural history. When the Deutsche Oper Berlin staged this great work in 1979, the opera house initially came in for fierce criticism. However, this was not due to the performance itself, but to the fact that the Deutsche Oper Berlin was including operettas in its program for the first time. After 40 years, we have now succeeded in publishing this wonderful performance. This is also thanks to the approval of Dame Gwyneth Jones.