Ariel is a middle-class young man, a father of a family, who surprisingly loses his job in the context of a wave of layoffs. Altered and hiding from his family what happened, he escapes his father-in-law's birthday to go to a nightclub, where an old acquaintance offers to be part of a narco business. Ariel accepts, trusting that his participation will be limited, but things go out of control.

Five challenging young men gather in a closed courtyard. The chords of a rock band emerge from the silence that the siesta emanates. Immutable, they play as time unfolds and loses the stability of the present.

In 1936, in Cayastá, Aparicio Garay, a strange inhabitant of the islands, brutally murders an 11-year-old boy, and commits an act of cannibalism following the orders of his God, “El Hora”.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.

Damián, an 11-year-old boy who is separated from his violent family, is taken to live in a children's home by state intervention. Accompanied by Leandro, a social worker with a personal story similar to his, Damián will have to accept that his previous life is behind him and will not return, but it is still possible to build a new beginning where there is room to not feel so alone.

Lucia is a single parent to a child with Asperger's. She has a minimum wage job and a very difficult relationship with her mother, but she thinks she can deal with everything on her own. One day she receives an urgent call from the school: her son hit his head and she needs to pick him up.

Tomás is a teenager whose life, as always happens, changed from one moment to the next. But that present awakens a latent past that must be resolved in order to face the uncertain future.

Ariel is a middle-class young man, a father of a family, who surprisingly loses his job in the context of a wave of layoffs. Altered and hiding from his family what happened, he escapes his father-in-law's birthday to go to a nightclub, where an old acquaintance offers to be part of a narco business. Ariel accepts, trusting that his participation will be limited, but things go out of control.

One summer afternoon, on the banks of a river, a boy and a girl are starting to get to know each other. The landscape and the distance are the scene of a possible beginning.