For much of his career, Lucian Freud allowed his paintings to speak for themselves, but in 1988 he talked for the first time - to Omnibus - about his work and ambitions.

Lucian Freud, the controversial grandson of Sigmund Freud, has been called one of the greatest painters of the 20th century. His extraordinary portraits - of children, lovers, gangsters, supermodels, even the Queen of England - pushed the boundaries of art and broke world records at auction. They also enraged sitters and ended friendships. The royal photographer for The Times of London was so incensed by Freud's picture of the Queen that he said Freud should be thrown from the Tower of London. Freud, who died last summer, was notoriously elusive. Shortly before his death, however, he gave his full backing to this documentary. The film includes the only known footage of him painting on what turned out to be the last day he ever worked.

Documentary about the painter Lucian Freud.

Filmmaker Jake Auerbach decides to offer a description of his friend Lucian Freud that's more truthful than the common media image by asking a number of people who have sat for Freud's portraits to share their experiences with the camera. They include several of Freud's friends and daughters, and the film becomes a depiction not only of his art, but also his private persona. Lucian Freud does not appear, with the exception of a brief shot at the end of the film.

For the first time in history the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. The exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few 20th-century artists who portrayed themselves with such consistency. Spanning nearly seven decades his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his portraits represent an engrossing study into the dynamic of ageing and the process of self-representation. This intensely compelling exhibition creates a unique opportunity for EXHIBITION ON SCREEN to reveal the life’s work of a master in one show.