In a home proudly named Silverville, where natural death is a frequent, if unwelcome, guest, one morning one of the residents is found seriously injured. The director, who sweeps inconveniences and shortcuts in the functioning of the private facility under the carpet, does the same this time and conceals the incident from the police. However, the investigation starts unofficially and covertly: it is taken up by a former judge who is eager to track down the perpetrator on his own. The three story lines bring a succession of surprising revelations, playing out a range of human destinies, relationships, desires, passions, all concentrated in a single place, and the actual tracking down of the perpetrator is only the final brushstroke in the painting of human existence in its last phase, which awaits each of us.

Lovers & Murderers is about the ongoing war between those who have and those who want to have what the others have. The have-nots see themselves as poor victims trying to get for themselves what is justly theirs. But when the have-nots become haves, they continue to see themselves as victims of the hordes baying for what is justly theirs, and they have neither the energy nor the security to enjoy what they have obtained. The movie takes place in the microcosm of a small apartment building. The principal goal of the young people who share rooms in the building is to move into their own room and, some day, a real apartment. They scheme to get what they're after: form short-lived alliances, petition, frighten, marry, become pregnant, anything that might work. Lovers & Murderers presents Páral's vision of mankind caught in a cyclical process in which ideology pales before the pettiness, cruelty, and self-justification of human nature.

It's spring 1939. The bishop in Banska Bystrica finds out that in the village of Piargy, that was buried by an avalanche a few days ago, the Antichrist was born. The bishop calls on priest Balaz and asks him to investigate the statements of Johanka, the only survivor of the catastrophe. Balaz wants to know what exactly happened in Piargy.

Martina is 18, loves dancing and goes by a nick name Shakira. Also, today she is leaving an orphanage...

This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.