A journey inside the most sensational exploits of the forgotten post–WWII Italian underworld. Thirty years told through first-hand accounts, reenactments, old movies, newsreels and other archive footage—painting the portrait of a country undergoing major social changes.

In the theater of a small village, rehersals are taking place for a show based on the opera I Pagliacci. There is no orchestra, just a piano and the singers. Amongs the few people in the audience there is the mother of the singer, a rich local lady and financer of the project, the sister, and a few other people involved in the show. During a dinner party at this rich lady’s house, a hiposis session takes place, where rancor and pain emerge from the brother and sister towards their mother and their impossibility of overcoming them.

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

Puccini's "La Bohème" is undoubtedly one of the most watched operas in the world. This undisputed tearjerker, written by the brilliant Italian composer ("Madame Butterfly", "Tosca") in the last years of the 19th century, still touches the hearts of viewers. In the summer of 2024, it will be shown in a new staging at the famous Verona Arena di Verona amphitheater, where every evening - during the Opera Festival held since 1913 - over 20,000 spectators watch great performances. The huge stage under the summer open sky was transformed into a snow-covered 19th-century Paris, and the performance featured international stars. We will now see all this on the big screen.

Taking a classic opera and turning it on its head, Karin Henkel, a leading director in contemporary German theatre, offers a new interpretation of Verdi's masterpiece. In a world dominated by men, where women are exploited and history repeats itself, she explores the fate and sacrifice of a 19th-century heroine through a contemporary female perspective.

Opera buffa in two acts (1790) New Production! A top-flight cast features in a new staging of Mozart and Da Ponte’s comic masterpiece of love, trust and the fickleness of human behaviour from acclaimed director Robert Carsen. As part of a bet with Don Alfonso (Gerald Finley), Ferrando and Guglielmo (Giovanni Sala and Luca Micheletti) must try to seduce each other’s fiancées, Fiordiligi and Dorabella (Elsa Dreisig and Nina van Essen). When both yield, and the ruse is revealed, all four must reckon with the fallout.

Maestro Riccardo Muti returns to the podium of the Orchestra and Chorus of the Teatro Regio di Torino for a new production of *Macbeth* directed by Chiara Muti. Set design by Alessandro Camera and costumes by Ursula Patzak.