A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.

Rome, 1990s. Gian Luigi, an unscrupulous financial administrator, finds himself embroiled in a journalistic investigation that aims to unmask shady monetary dealings. The recklessness of the fixer has the hours numbered.

An intellectual encounters a youth group that seeks social change.

The story of the friendship between Ioan and Michele respectively Romanian and Italian. The serendipitous encounter of two worlds apart: the travails of a young man, son of the Post-Communist Revolution, who flees his country in search of a better future and the travails of another youth who instead scrapes along the margins of a Western society that is unable to offer gainful employment to so much of its youth. In the background of this rapport between a simple Romanian youth and his marginalized Italian counterpart, there is a West which on one side is still reeling from the collapse of the Communist ideology and on the other, in the clutches of a Capitalist myth which has increasingly assumed, as it propulsive force, harsh competitiveness and an intensification of social inequality.

Army colonel Gabriele Moresco and twelve of his soldiers occupy a hospital in Sicily, Italy, taking every patient and doctor as hostages and giving an ultimatum to the government: if they won't admit their role in hiding proof of the use of depleted uranium in the Balkan Wars and the subsequent countless cases of cancer among Italian soldiers in 56 hours, all the hostages will be killed. Negotiator Paolo Manfredi is called to save the hostages, not knowing that his wife and daughter are among them.

It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.

The filming of a movie about Jesus’ death deeply affects three people — an egotistical director who cast himself as Christ, the actress playing Mary Magdalene who cannot bring herself to leave Bethlehem and a TV journalist whose spiritual doubts start to consume him.

A couple's pleasant new life in the country is threatened by the mysterious new next door neighbors.

What is the English language plot outline for K. Il bandito (2008)?