An ex-communist terrorist tries to fit in in today's society after getting out of jail. He meets with a group of young anti-Wall Street anarchists and falls in love with a mysterious young woman.

Pregnant girl in trouble teams up with a young boy to find the mother of the boy.

A portrait of Vincent Patar & Stéphane Aubier, the two joyous and iconoclastic masters of animation, authors of Pic Pic André, Panique au village and Ernest & Célestine, accompanied by all their partners and collaborators.

Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three.

Sulayman, with blazing eyes, his radiant face, lives in “the clay boulder” in perfect harmony with fauna and flora. An orphan since the age of three, he was raised by an old hermit, with "stormy veins". Sulayman meets Khadija, the daughter of the village head, Caïd. Caïd is a supporter of the French occupation, and is strictly opposed to any union between Sulayman and his daughter. The young shepherd, through the deepest fibres of his soul, finds himself between two worlds. His greatest wish would be to not have to choose, but as he must, Sulayman sets out to unite them within the heart of his new journey... "Men of Clay" is a metaphysical tale about the human condition. This journey explores the fibers of the soul, transcends certainties and contradictions, such as the vulnerability of being or fields of confusion. It cracks and obligates one to rebuild and enhance all aspects of beauty within a universe that ends up breathless...

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

An episode of Cinéastes d'aujourd'hui, a series of director portraits by the Francophone Community. Lafosse had then just completed Les Chevaliers blancs.

An episode of Cinéastes d'aujourd'hui, a series of director portraits by the Francophone Community. Lafosse had then just completed Les Chevaliers blancs.