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No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.
Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.
Between the city and the countryside, the subtle and modern forms of slavery unfold. A girl waits for the pick-up truck that will transport her to the city. Once there, amidst a never-ending row of walls and fences, she peeks into the entrance to a school. Lined up and in uniform, those girls are not the ones Carmen will join.
