The most well-known fascist propaganda film in Portugal. A communist man falls in love with a woman of Salazarian beliefs and changes his way of looking at things.

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Luís immigrated to the USA and intends to become an American. But after his father invites him on a journey to the Portuguese territories in Africa, he will find true love, and also learn to value his country and its colonial grandeur.

When a businessman's car crashes and burns, inspector Moisés of the criminal brigade is given the case, as the body has been stabbed. He'll try to reconstruct the financier's personality by the mirrored impressions on those who knew him.

Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.

Melancholic and atheist bank clerk Manuel is stuck in a love triangle with two women, the fiery art model Albertina and the quiet and religious Ana Maria. After spending several years working in Africa, Manuel returns to Portugal only to find both women already married, and his life marred by problems.

André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.