A young man returns to his native Alentejo countryside and encounters the legendary seductive “enchanted moura,” sparking a poetic journey that intertwines ancient Arabic folktales with contemporary rural life. Drawing on medieval prose and verse, the film explores cultural memory and pagan traditions through visual folklore rooted in Portuguese-Arab heritage.

At the time Portugal presented a strange spectacle to the rest of Europe. D. Afonso VI, son of the fortunate D. João de Bragança, was in possession of the throne and was an insane imbecile. His wife, daughter of the Duke of Nemours and cousin of Louis XIV, dared hatch a plot to oust her husband from the throne. The king's stupidity justified the queen's bravado. Despite being master of unusual strength and having slept with his wife for a long time, she accused him of being impotent. Marie Françoise had acquired through artfulness what Afonso had lost in anger in the kingdom. She had him imprisoned ( November 1667 ) and quickly obtained a papal bull from Rome to confirm her virginity and bless her marriage to her brother-in-law Pedro. Portugal's submission for the Academy Award for Best Foreign Language Film in 1990.

Sonia and Branca are two close friends at their thirties's sexual peak, on the verge of their cosmopolitan loneliness. Despite the long relationship that keeps them together, they are so distant, that it's as if they didn't really know each other. Cronica Feminina (Women's Tales) is a dramatic comedy that talks about women, but essentially approaches, from the point of view of its characters, the human need to communicate, seduce, fantasize, the need for love in the bottom of all things

Set four years after the Portuguese revolution and the simultaneous loss of the Portuguese empire in Africa, the story concerns a director who sells guns to finance his play.