Watson crafted a dazzling visual ballet that stands on its own as an aesthetically rewarding and educationally inspiring tour of the massive Kodak factories. Utilizing the multiple exposure imagery he had used to such great effect in The Fall of the House of Usher (1928) and Lot in Sodom (1933), Watson makes tool and die drill presses, assembly lines of camera parts, and the film coating process every bit as expressive and interesting as an MGM historic drama.

"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Germany and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and habit towards insubordination.

This 1946 entry in the "Movietone Adventures" series of shorts was in Technicolor when originally released. Narrated by Lowell Thomas, it is a trip from Medicine Hat in southern Utah down the rapids of the San Juan River ending with a view of the Rainbow Bridge, hence the title and the use of Tehnicolor. It was nominated for an Oscar for Best Short Subject, One-Reel.

An educational one-reeler for elementary aged children demonstrating the concept of American free-enterprise. The film utilizes wooden toys designed and animated by Goldman, all set to a music box-ish xylophone score by Jam Handy musical director Samuel Benavie and narration by notable commentator Lowell Thomas.

Tour of an auto parts and accessories factory climaxing with a stop-motion product parade.

Charlie, working on a junkjard, always trying to help people in the most impossible ways with junk from his work place, hears from a German professor, that there is a bird, a Belgish Kongo, that eats metal. Charlie sets out on a ridiculous hunting expedition to catch one. With some music - the birds love music - and a strange worm he is able to catch one, but even then the bird offers some even more over-the-top surprises.

Captain Wallace Casewell Jr., chief of police of Panama City, Florida, is the star of Killers of the Sea. Appointing himself protector of all Gulf of Mexico gamefish, Capt. Casewell makes it his mission to round up illegal fishing boats and to stave off such natural predators as sharks, whales and octopi. This may well be the only American film in which a school of dolphins are depicted as "the enemy." Beyond its rather ludicrous continuity, the film offers several spectacular underwater scenes, as Casewell battles invading sea life with knife and harpoon. This 49-minute documentary was narrated by Lowell Thomas.

Designed to introduce the then-new widescreen process Cinerama, audiences experience the roller coaster at Rockaways' Playland, the temple dance from Aida, Niagara Falls, a Viennese choir, the canals of Venice, a military tattoo in Edinburgh, a bullfight, and more. The film concludes with a view from the nose of a low-flying B-25 while America the Beautiful plays.

For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

A nostalgic and compelling look into the legendary three camera, three projector process that revolutionized motion pictures and led the industry into the widescreen era.