Sykes, an American engaged to a poor girl, goes to the Philippines as a teacher, and the girl stays behind to await their marriage. Sykes, after some time has passed, has succumbed to the tropic influences, and is living with a native girl, when one day he hears from the girl back home that she is coming to join him and that she will arrive at dawn next day. An aunt has died and left her a lot of money. Caring more for this coin that the girl, Sykes tries to get rid of the native girl, but she makes a row, and he in fear of losing his girl and her cash, poisons the native girl, who dies. He is about to get rid of the body when a young lieutenant of the U.S. Army shows up with his sergeant, inquiring the way to the trail of Indians, and becomes suspicious of Sykes' uneasiness and finds the dead girl.

A young wife is so absorbed in knitting her husband a vest for his birthday that she forgets to keep an eye on their two-year-old child who creeps out on the porch, and rolling himself up in a rug, falls asleep. The carpet cleaner's wagon comes to get a bundle of carpets left on the porch to be called for.

Little Sara Crewe is placed in a boarding school by her father when he goes off to war, but he does not understand that the headmistress is a cruel, spiteful woman who makes life miserable for Sara.

Louise (Pickford) is a sewing-machine girl in a sweatshop in New York City. She lives together with her sisters Amy (Loretta Blake) and Jane (Dorothy West) and are all deprived by bad conditions at work and sickness. Louise tries for the three of them to survive and regards herself as the keeper of her sisters. Meanwhile, she stands up to her bosses and complains about the dreadful circumstances they work in. When Amy is seduced by the son of the shop-owner, Louise butts in and stops the romance. He eventually abandons Amy and becomes seriously injured in a cave-in. Louise has a secret crush on the son herself and tries to rescue him, hoping he will admit he loves her. The film is inspired by the Triangle Shirtwaist Factory fire, which took place in 1911. The only version of the film is a nitrate print in the Cinematheque Francaise, but only the first half remains.

A girl wants to go to a ball, admission one Liberty Bond, but rather than go herself, she loans the bond to a girlfriend. A soldier and a sailor find out and take her to the ball with them.

A girl wants to go to a ball, admission one Liberty Bond, but rather than go herself, she loans the bond to a girlfriend. A soldier and a sailor find out and take her to the ball with them.

Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."

Helen Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helen plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

In China, a man is arrested and tortured for a crime committed years before by his twin brother.

In order to win the hand of the girl he loves, Ed Swinger creates a phony business to fool her father.